Welcome to the Richardson Symphony Audience
Blog Site! |
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Tell us what you think of our recent concerts,
events or post a response to any topic on this page. |
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May 7, 2008 The following comments are by Maestro Brusilow
(about the 5/3 performance and Olin Chism’s review in The Dallas Morning
News): From George Landis, RSO Executive Director
(05:00 pm):
Thelma Ball 09:57 am: I
think Olin Chism's assessment of Olga Kern's performance was right
on target, but his criticisms of the orchestra were not warranted.
Unfortunately, critics are just what their name implies, and often
they feel they must find something to criticize in a reviewing a concert
or they have failed their calling. I'm wondering which section of the
strings he found "not
in tune"?..was it all the violins or the violas or the cellos
or the basses...or all of them who had failed to tune their instruments
to a perfect A440? Wow! What an incredible ear he has! And "unmellow"?
No way! The audience was priviledged to hear a first rate performance
of the Tschaikowsky symphony and they showed their obvious appreciation. May 6, 2008 • Audio Samples from Richardson Symphony May 3rd
Season Finale Concert: Comments on Bob and Georgia Nelson post: Al Adams 07:45 am: I was fortunate enough to be invited to attend three of the Richardson Symphony's concerts this season. I attended the opening concert of all Richard Strauss pieces, the Christmas concert and last Saturday's all-Russian concert with Olga Kern playing the piano. As a former Plano Symphony goer, I thought I should respond to Bob and Georgia Nelson's post of yesterday. I fully intend to subscribe to the Richardson concerts next year. I had no idea that there was an orchestra that was anything close to the Richardson orchestra. The quality of the pieces they perform and the players in the orchestra are so far above what I have experienced at other "suburb" orchestras, I could not believe it. I promise, no other orchestra in the Dallas area, other than the Dallas Symphony, would dare attempt the Strauss pieces played at the October concert. The Christmas concert was fantastic: arrangements of popular carols and Christmas songs that I'd never heard before and the Bernstein "Chichester Psalms" was an inspired choice for a Holiday concert. Such a beautiful and poetic work does more to reinforce the real spirit and meaning of Christmas than a ton of tired old songs. Bravo to conductor Brusilow for choosing this beautiful piece and for leading the orchestra and chorus in such a perfect performance. Last Saturday's performances of the Tchaikovsky sixth symphony and Olga Kern's performance of the Rachmaninov concerto were fantastic. I wonder if the audience knows how priveledged they were to hear these really hard pieces performed so beautifully? I know it takes all kinds of folks to make the world go around and I hope Mr. and Mrs. Nelson enjoy Plano as much as I enjoy the jewel in richardson. Honestly, though, if you compare the two seasons next year, Plano is a light weight compared to Richardson's season of masterworks. I hope the RSO keeps doing the hard pieces and doing them well. I'll try to get everyone I know to come hear them. Thank you. May 5, 2008 Comments on Saturday, 05/03/08 performance: Bob and Georgia Nelson 06:32 pm: When we renewed our
subscription for this past season, we were full of expectation for a
great season. Cynthia Noah 06:06 pm: It was wonderful----among the best we have ever had. Great soloist added to the evening. "...decent if not inspired"?????? Cannot understand music critics. B. Brown from Hurst 03:44 pm: Here's what I think: Olin Chism's reviews are vapid if not uninspired, and he has no business receiving monetary compensation for making shallow, uneducated observations on a subject in which he demonstrates pathetically little expertise. His assessment of the performance shows how little attention he was actually paying to the events of the evening, and further reinforces my theory that any chimp with a laptop can be a music critic. Frank Leftwich 02:48 pm: First, Bravo, it is great to attract a critical review, and to have it published in the Dallas Morning News. As I was there Saturday night, I heared and observed two "performances" that Chislom did not comment on. First, the depth and fullness of sound from the strings in the closing movement of the Rachmaninov was exceptional and moving. Second, the interaction between Maestro Brusilow and Olga Kern was electric, like two great opera singers playing off of one another, especially in the closing movement. I am a long time patron of the Dallas Symphony Orchestra, and have never seen Mata, Litton or a guest conductor interact with a guest soloist so powerfully and so profoundly. This includes all three Rachmaninov Concertos that I attended that were played and recorded to great aclaim by the DSO and pianist Stephen Hough. Brusilow and Kern were just better, period. But then what do I know, I am just a patron! Thanks for your blog and an opportunity to respond. Frank Leftwich Shirley Latham 02:42 pm: Saturday evening was brilliant! I have heard more and more people expressing their joy at being in the audience that evening. May 4, 2008: Ex-Cliburn medalist gives first-rate performance with RSO 12:00 AM CDT on Sunday, May 4, 2008 By OLIN CHISM / Special Contributor to The Dallas Morning News RICHARDSON – Pianist Olga Kern, one of the surest crowd-pleasers in this area, performed her magic once again Saturday night. A large audience heard her play with the Richardson Symphony Orchestra and conductor Anshel Brusilow in the Eisemann Center. The former Cliburn Competition gold medalist played a work long associated with that contest: Rachmaninoff's massive Third Piano Concerto. She gave another first-prize performance, easily conquering its bravura passages while creating a gripping musical drama. Equally as impressive as the power she produced was the clarity of her playing and its lyric beauty. And three cheers to Ms. Kern for her avoidance of the histrionics that are so popular nowadays, particularly among young artists. She's never stiff, but there's no wild arm movements and soulful gazing at the ceiling. The drama comes from the music. Mr. Brusilow and the orchestra gave her decent if not inspired support. The first half of the program was given over to another Russian classic, Tchaikovsky's Pathetique Symphony. This is an unusual concert-opener, because the work closes with such an air of finality. It would have been jarring had the Rachmaninoff begun immediately thereafter. But the intervening intermission softened the jolt. The Pathetique got off to a bumpy start, with the strings slightly out of tune and unmellow. There was also the matter of the noisy audience member. He or she did something that sounded like the ripping loose of a giant Velcro strap. It must have been huge. The remainder of the performance was serviceable, though my mind kept going back to a performance of the Pathetique led by Mr. Brusilow at the University of North Texas recently. Though the student orchestra lacked the polish of a professional ensemble, the performance and gripping marches were deeply involving. Saturday night's march didn't match up to it. Still, many in the audience were caught up in it. They burst into applause, and Mr. Brusilow had the orchestra stand in acknowledgement before continuing with the final movement.
May 1, 2008: • From George Landis, RSO Executive Director - Announcing the Richardson Symphony Audience Blog! Over the past couple of years, we’ve been gratified
by the number of our audience members who have taken the time to write
us with their reactions to our performances. Audience comments have been
incredibly helpful to the RSO staff and to maestro Brusilow in planning
for the future of the orchestra and our concert seasons.... Post a response...click HERE. |
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